Bach Bibliography
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Series : ^InTheoryOnly$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Exempli gratia: J.S. Bach, Cantata no. 198 Lass, Fürstin, lass noch einen Strahl (no. 4, recitative). InTheoryOnly 1 3 Jun 1975 30-31
2. Smith, Charles J.J.S. Bach, Six suites pour violoncelle seul: interpretation musicale et instrumentale. InTheoryOnly 1 8 Nov 1975 20-27
3. Neumeyer, DavidThe three-part Ursatz. InTheoryOnly 10 1-2 Aug 1987 3-29
4. Schenker, HeinrichC.P.E. Bach: Kurze und leichte Klavierstücke mit veränderten Reprisen (1766), no. 1, allegro. InTheoryOnly 10 4 Dec 1987 5-10
5. Larson, SteveQuestions about the Ursatz: A response to Neumeyer. InTheoryOnly 10 4 Dec 1987 11-31
6. Neumeyer, DavidFragile octaves, broken lines: On some limitations of Schenkerian theory and practice. InTheoryOnly 11 3 Jul 1989 13-30
7. Botelho, MauroMeter and the Play of Ambiguity in the Third Brandenburg Concerto. InTheoryOnly 11 4 Feb 1990 1-35
8. London, JustinMetric Ambiguity (?) in Bach's Brandenburg Concerto No.3. InTheoryOnly 11 7-8 Feb 1991 21-53
9. Travis, RoyJ. S. Bach, invention no.1 in C major: reduction and graph. InTheoryOnly 2 7 Oct 1976 3-7
10. Travis, RoyJ. S. Bach, invention no.13 in A minor: reduction and graph. InTheoryOnly 2 8 Nov 1976 29-33
11. Horton, CharlesAnalysis Symposium: Bach, 2-clavier Concerto in C minor (S. 1060), Mvt. I: Interaction of Structural Designs. InTheoryOnly 2 9 Dec 1976 3-8
12. Pazur, RobertAnalysis Symposium: Bach, 2-clavier Concerto in C minor (S. 1060), Mvt. I: A Case for Synthesis InTheoryOnly 2 9 Dec 1976 9-16
13. Berry, WallaceJ. S. Bach's Fugue in D-sharp Minor (WTC I, No.8): A Naive Approach to Linear Analysis. InTheoryOnly 2 10 Jan 1977 4-7
14. Greenberg, BethBach's C Major Fugue (WTC I): A Subjective View. InTheoryOnly 2 3-4 Jun-Jul 1976 13-17
15. Thomas, LewisOn thinking about thinking. InTheoryOnly 4 8 Feb-Mar 1979 16-17
16. Haimo, EthanInversional invariants in diatonic music. InTheoryOnly 5 4 May 1981 21-27
17. Lester, JoelSimultaneity structures and harmonic functions in tonal music. InTheoryOnly 5 5 Jun 1981 3-28
18. Larson, SteveOn analysis and performance: the contribution of durational reduction to the performance of J.S. Bach's two-part invention in C major. InTheoryOnly 7 1 May 1983 31-45
19. Cinnamon, HowardDurational reduction and Bach's C-major invention: an alternative view. InTheoryOnly 7 4 Nov 1983 25-35
20. Lambert, J. PhilipEighteenth-century harmonic theory in concept and practice: Kollmann's analysis of J.S. Bach's Chromatic fantasy. InTheoryOnly 8 3 Oct 1984 11-29
21. Adrian, Jack S.J. S. Bach's invention in A minor: A re-view. InTheoryOnly 8 7 Nov 1985 15-27
22. Neumeyer, DavidThe Urlinie from 8 as a middleground phenomenon. InTheoryOnly 9 5-6 Jan 1987 3-25
23. Wenk, Arthur BamptonParsing Debussy: Proposal for a grammar of his melodic practice. InTheoryOnly 9 8 May 1987 5-19

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